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Choi, B. C. & Bang, K. J. (1998) The Effect of Tempo Variations in Musical Stimuli on Skin Temperature and Perceived Physiological Change.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Chang, S. (1993) A Study of Eye Movements During Sight-reading of Selected Piano Composition.
Society for Research in Music Education MENC (Music Educators National Conference) Eastern Division Convention (Springfield, MA: March, 1993)
Chang, S. (2000) A Study of Eye Movement on Piano Sight-reading. (Invited paper)
7th Western Pacific Regional Acoustics Concerence sponsored by The Acoustical Society of Japan. (Kumamoto: October, 2000)
Chang, S. (2001) Sight-reading Differences in regard to the Characteristic Style Difference of Music.
Japanese Society for Music Perception and Cognition (Fukuoka, Japan: May, 2001)
Chang, S. & Y. Cho (2001) Gender Stereotyping and Music Instrument Major's Choice.
The 3rd Asia-Pacific Symposium on Music Education Research & International Symposium on Uragoe (Falsetto voice) and Gender: Asian-Pacific Music Education Research Symposium. (Nagoya: August, 2001)
Chang, S. & Kim, S. M. (2001) Professional Profile of Studio Piano Teachers.
The 3rd Asia-Pacific Symposium on Music Education Research & International Symposium on Uragoe (Falsetto voice) and Gender: Asian-Pacific Music Education Research Symposium. (Nagoya: August, 2001)
Chong, H. J. (1998) The Effect of Light in Mood, Tension and Anxiety Level and Mood Perception During Listening Experience.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Chong, H. J. (2001) Vocal Timbre Preference in Children: Psychological Significance.
Japanese Society for Music Perception and Cognition (Fukuoka, Japan: May, 2001)
Jung, E. (1998) Patterns of Violin Practice Performance: The Practice Types and Achievements differed by Violin Performers' Experience.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Kim, J. J. (1998) A Barthesian Analysis of Britten's The Holy Sonnets of John Donne, Op. 35.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Kim, Y. (1997) The Applicability of Psychological Methods in the Study of Musical Rhythm.
International Musicological Society, 16th International Congress (London: August, 1997)
Kwak S. Y & S. W. Yi (2000) Perception of Tonal Dissonance in Pure-tone Compound Intervals.
6th International Conference on Music Perception and Cognition (Keele, UK: August, 2000)
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Lee, K. M. (1998) Various Internal Pitches of Absolute Pitch Processor.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Nam, U. (2001) Towards the Detection of Perceptually Similar Music
Japanese Society for Music Perception and Cognition (Fukuoka, Japan: May, 2001)
Park, Y (1998) Perception of Musical Intervals by Musically Trained and Untrained Listeners in Korea.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Roh, S. K. (1998) Acoustical Analysis of Violin Timbre on Differently Skilled Players.
5th International Conference on Music Perception and Cognition (Seoul:August, 1998)
Roh S. K & S. W. Yi (2000) The Effect of Musical Styles and Experiences on Melodic Expectancy.
6th International Conference on Music Perception and Cognition (Keele, UK: August, 2000)
Roh S. K. & S. W. Yi (2001) The Effect of Top-Down Process on Melodic Expectancy.
Japanese Society for Music Perception and Cognition (Fukuoka, Japan: May, 2001)
Sohn, J. H. et al. (1998a) Skin Conductance Responses to the Emotions Induced by Auditory Stimulation of Positive and Negative Valence.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Sohn, J. H. et al. (1998b) Music Given to the Negative Emotional States Evoked by Visual Stimulation Facilitates EEG Alpha Recovery Process.
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Yi, S. W. (1989) The Statistical Categorization of Pitch Structure in Tonal, Atonal, and Dodecaphonic Works of Stravinsky and Schoenberg.
1st International Conference on Music Perception and Cognition (Kyoto: November, 1989)
Yi, S. W. (1996) Melodic Contour as Pitch-time Interaction.
4th International Conference on Music Perception and Cognition (Montreal, Canada: August, 1996)
Yi, S. W. (1997) Problems in the application of linguistic/semiotic principes to Music
International Musicological Society, 16th International Congress (London: August, 1997)
Yi, S. W. (1998) Music, Mind and Science (Key-note address)
5th International Conference on Music Perception and Cognition (Seoul: August, 1998)
Yi, S. W. (2001) Rethinking Melodic Contour (Invited Lecture).
Japanese Society for Music Perception and Cognition (Fukuoka, Japan: May, 2001)
Yi, S. W. (2002a) Toward a New Definition of Melodic Contour.
7th International Conference on Music Perception and Cognition (Sidney: July, 2002)
Yi, S. W. (2002b) Interactive Aspects between Pitch and Time Contours.
International Musicological Society, 17th International Congress (Leuven, Belgium: August, 2002)
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Lee, K. M. (2002)
7th International Conference on Music Perception and Cognition (Sidney: July, 2002)
Lee, H. J. (2002)
7th International Conference on Music Perception and Cognition (Sidney: July, 2002)
Kwak, S. Y. (2002)
7th International Conference on Music Perception and Cognition (Sidney: July, 2002)
Song, I. R. (2002)
7th International Conference on Music Perception and Cognition (Sidney: July, 2002)
Lee, M. J. (2002)
7th International Conference on Music Perception and Cognition (Sidney: July, 2002)
Kim, J. C. (2004) The Music-Cognition Classroom: Using Todd's Model for Rhythm.
8th International Conference on Music Perception and Cognition (Chicago: August, 2004)
Lee. K. M. (2004) Rhythmic Working Memory and Imagery Ability.
8th International Conference on Music Perception and Cognition (Chicago: August, 2004)
Lee. N. S. (2004) Explicit Finality vs Implicit Continuity in an Extended Cadence.
8th International Conference on Music Perception and Cognition (Chicago: August, 2004)
Park. Y. M. (2004) Two-Level Processing of Musical Intervals: Evidence from Korean Listeners.
8th International Conference on Music Perception and Cognition (Chicago: August, 2004)
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